We had it all wrong! Information doesn’t want to be free, it wants to be a commodity. It wants to be packaged into apps that differ only in terms of interface and pricing models. It wants to be rented. It wants to reveal nothing too personal, because we broadcast it to Facebook and we should probably turn on a private session so our boss doesn’t see that we listen to Anaconda on repeat and think we’re high at work.
The ideal e-ink Kindle would have hardware page-turn buttons and a touch screen, and the Voyage is the first one to promise that, but instead of buttons, they’ve added “pressure-based page turn sensors with haptic feedback.”
You know what else is a pressure-based sensor with haptic feedback? A button.
Buttons are getting rarer and rarer. I miss them.
Brit comedian Dave Gorman using Facebook targeting to transparently freak out his ad targets.
Tony Zhou explores the different ways that texting and the internet are displayed in film in this video:
Casey Johnston wrote about the topic for Ars Technica back in February, and Michele Tepper wrote about the texting in Sherlock back in 2011.
And then, fittingly, the teaser trailer for Men, Women & Children was just released, in which people rely solely on electronic means of communication:
I’m really looking forward to the movie after the trailer.
We don’t make “high fidelity mock ups” or “high fidelity wireframes”. We’re making a Thing, not pictures of a Thing.
One of the problems with high fidelity wireframes is that they’re very easy to send around to stakeholders who respond with comments like “Move this up a bit”, or “Make that more blue”. The problem with that is they’re commenting on the picture of the Thing rather than the Thing itself.
Now give me Tap for Taco.
Some time ago I came across two interesting articles describing the experience of using the Microsoft Surface Pro 2. One of them is by Ian Betteridge, a tech journalist, the other by Lukas Mathis, a software designer and developer.
Reading and comparing these two articles reveals some interesting common ground between both authors: Both of them like the new Windows 8 Metro interface, native Metro applications, split-screen multitasking, the sharing menu and the pen support. They both dislike the old Windows desktop UI, which barely works with a touchscreen, and all the cruft that comes with legacy Windows, like shaky drivers, DLL hell and ad-ridden software. In the end, both reach opposing conclusions. Lukas Mathis writes:
In the end, I really, really like Metro, but don’t love Windows as a whole. It’s flawed. But even so, I like my Surface a lot more than I ever liked any of my iPads.
Ian Betteridge concludes:
The tablet experience isn’t anything like a modern tablet, missing out on the portability, ergonomic factors, and flexibility of use. It also comes with the high maintenance costs of a traditional PC. [...]
If you’re an old-school Windows diehard who kind of liked the idea of Tablet PCs in 2003, but couldn’t find one powerful enough, you’ll like the concept of Surface Pro – although you’ll probably hate Windows 8’s interface. For everyone else, you’d either be better off buying a cheaper Windows laptop or an iPad Air.
It’s quite illuminating how two people can like (and dislike) the same things, yet ultimately reach completely different conclusions. Different people, different needs.
A little while ago, Brent Simmons wrote about standard UI controls and their advantages in comparison to custom UI controls. This is in large part due to iOS 7, which leveled the UI design playing field last year: Where previously iOS user interfaces were expected to feature lavish graphical details such as photorealistic textures, lighting and shadows, iOS 7’s streamlined appearance reduces the necessity of a dedicated photoshop artist in UI design.
User interfaces adopting iOS 7’s new, minimal appearance look modern and fresh, whereas iOS 6 apps look dated and old fashioned in comparison. This begs one question: How long will it take until iOS 7’s appearance starts to look dated and old fashioned? Greg Cox speculates that just as standard controls and the default look & feel of iOS 7 are a useful differentiator right now, history is bound to repeat itself once the novelty of iOS 7 wears off and designers have to find new ways to differentiate:
So at some point in the cycle custom controls start to become valuable again. Apps that use them effectively will stand out and will be hard to copy. Consider the discussions about TweetBot’s famously custom UI, or the raving about Loren Brichter’s beautifully simple Letterpress design. In the latter half of the life of the original iOS design it became positively passé to rely on standard controls for your app.
Which reminds me of a theory recently put forth by Joel Unger:
Design ecosystems mimic biological ecosystems: Whenever a new trend takes hold or an old one reemerges in the world of design, patterns emulate competitive systems in nature. Resource-intensive adaptations often achieve substantial competitive advantages.